It doesn’t grab the crowd the way past ones have, nor is there a changing element (who’s wearing the sunglasses this time? Oates? or — What’s Bart writing on the chalkboard?) to compel one to pay attention to it.

By far, the best moment in it is with all the noise and cameracuts, suddenly — the still and quiet, and just the cloud of breath from Kolzig. That moment makes it worthwhile. If only the rest of it could have been that inspired.

Wednesday, November 14, 2007 at 10:19 pm | Permalink

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